"Baby Idiots," Written, performed, edited and scored by Carl Robinette. Reading from LitCrawlLA 2019. The Baby Idiots series started as a simple story with a simple question in mind. How do you write a story about an irredeemable jerk you just have to love, even when that jerk is bashing someone's brains in?
In Carl Robinette's debut short story “The Hard Type,” originally published by Ellery Queen Mystery Magazine, we meet Hank Garnier. A 14-year old boy in the badlands of rural California during the wild 1960s. Will Hank show us the path of righteousness when his manhood is tested violently, or will he succumb to his own viciousness?
Even in the best-case scenario, every love-based relationship ends with heartbreak. “Happily ever after” never meant anything except one living to see the other die. In this second installment of the Baby Idiots series, we find our nameless narrator love sick and down on his luck, until she comes into his life. But love is fleeting, especially for the narrator of “Enjoi.”
Female workers are more likely to be murdered in on-the-job fatalities than men. Twenty-two percent of fatal injuries suffered by females in the workplace in 2017 were the result of homicide. That number was only 8-percent for males according to data from the U.S. Bureau of Labor Statistics.
Good fiction is always entertaining. Everything else is Literature. "Baby Idiots" might be entertaining, but maybe it's neither good nor Literature. In the first installment of the series, our lovable lunatic narrator swings up out of a depressive state after meeting the cutie-est bartender of all times. For this narrator, romance isn't romance until it turns violent.