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"Baby Idiots," Written, performed, edited and scored by Carl Robinette. Reading from LitCrawlLA 2019. The Baby Idiots series started as a simple story with a simple question in mind. How do you write a story about an irredeemable jerk you just have to love, even when that jerk is bashing someone's brains in?
Technology is changing at breakneck speed and it's changing the world around us, or at least it is for some people. For the nameless narrator of this flash fiction story, “8 Big Time Bummers About Buying A New Phone,” mobile technology is for suckers and smartphones are dumb anyway. See what happens when he hits a few speed bumps at his local phone store. In this fourth installment of the Baby Idiots series, our hero will defend the honor of a damsel in destress, even if she’s not a damsel or in distress.
Accidents happen. So do intentions. Sometimes the two get mixed up together and somebody’s head happens to smash into a brick wall. In a city where there are more cars than parking spaces, you can’t be too careful about where you leave your vehicle. See what happens when the narrator of “The Spot” defends his own treasured vehicular real estate. Baby Idiots #3
Even in the best-case scenario, every love-based relationship ends with heartbreak. “Happily ever after” never meant anything except one living to see the other die. In this second installment of the Baby Idiots series, we find our nameless narrator love sick and down on his luck, until she comes into his life. But love is fleeting, especially for the narrator of “Enjoi.”
Good fiction is always entertaining. Everything else is Literature. "Baby Idiots" might be entertaining, but maybe it's neither good nor Literature. In the first installment of the series, our lovable lunatic narrator swings up out of a depressive state after meeting the cutie-est bartender of all times. For this narrator, romance isn't romance until it turns violent.
